With All My Heroes Are Cornballs, JPEGMAFIA has created his masterpiece, the next bold step of the Peggy legacy. It is the greatest proof that in a corporately dominated industry, the truest forms of art come from those bold enough to tackle everything themselves, and JPEGMAFIA does exactly that with unrivalled spirit. Continue reading “JPEGMAFIA – All My Heroes Are Cornballs: Album Review”
On his latest album, Post Malone does little to set the world alight and convince me that he is anything more than the final boss that connects the worlds of pop and hip-hop to form a terrifying commercial monster. There’s good songs, obviously, he’s far too talented to do much different; but it’s his most uninspired effort to date. The locals will love it but it doesn’t do an awful lot for me.
Continue reading “Post Malone – Hollywood’s Bleeding: Album Review”
This month has seen some of rap’s biggest stars and pop music’s most polarising enigmas drop new albums, as well as some band called Slipknot coming back? Here are August 2019’s Round-Up Reviews for projects from the likes of Young Thug, Kano, Rick Ross, Clairo and, of course, the aforementioned Slipknot. Continue reading “Round-Up Reviews: August 2019”
In this month’s edition of Round-Up Reviews we look at some of the July 2019 releases that I didn’t get around to writing full reviews for. There’s albums from big names here, including Blood Orange, Iggy Azalea, Nas, the Dreamville record label (J. Cole, JID etc) and more! Continue reading “Round-Up Reviews: July 2019”
Someone needs to tell Chance The Rapper that throwing eight hundred genres together onto one album doesn’t work. Chance was once one of hip-hop’s shining stars, a Kanye protégé with greatness beckoning, but this guy fell off quicker than Felix Baumgartner; creating one of the most disappointing rap albums of the decade. Continue reading “Chance The Rapper – The Big Day: Album Review”