It’s been a long, four year wait, but Foals have finally woken from their slumber. As one of the last few surviving 00’s indie bands, this record could’ve catapulted Foals back to the forefront of British music – or seen them sink into irrelevancy. Following the enormous What Went Down is no small task, andContinue reading “Foals – Everything Not Saved Will Be Lost – Part 1: Album Review”
At just 17 years old, Ollie Walter has released an EP that sounds far more mature. Based in Leeds, the EP was produced in his bedroom with a mic, guitar, and Logic Pro. The EP shows promise for Walter, who might seriously be a huge breakout act in the coming years, and he can’t evenContinue reading “Ollie Walter – The Glam Tape: EP Review”
The word “important” is thrown around so frivolously in recent times, that to use it in relation to this album almost feels like doing it a disservice. But this album is so poignant and necessary that I feel like I need to tell everyone to listen.
When I met Liam at university and found out about Viberant, I thought it was really cool and refreshing. So many music review sites now pander to the same artists, report the same stories, and bring the same views. So when Liam asked if I wanted to write some bits for Viberant, I happily said yes. AsContinue reading “Viberant Profile Round 2: Ellie Roper”
Three years since How Big, How Blue, How Beautiful, the unmistakeable sound of Florence and The Machine is back on our airwaves once again. Still the ethereal, powerful, force of nature she always has been; but this time the delivery of her trademark elemental themes is more delicate, calm, as if Florence has arrived atContinue reading “Florence and The Machine – High as Hope: Album Review”